Australian composer Lisa Gerrard received a Golden Globe Award for her music on Ridley Scott’s Oscar®-winning Roman epic, collaborating with Hans Zimmer on songs such as the film’s stirring finale ‘Now We Are Free’ for what is surely one of the most moving film scores in modern cinema.

American electronic musician Wendy Carlos penned the opening title sequence for Stanley Kubrick’s horror masterpiece and in doing so laid claim to concocting perhaps the most terrifying arrangement of music that has ever been put to film.

The quiet, mesmerising score for this intimate movie about a young Maori Girl facing her tribal destiny is composed by Australian musician Lisa Gerrard and sounds as breezy and liquidy as the ocean itself giving this charming film an atmosphere of vast, seemingly infinite spaces.

The swooping strings of Mica Levi’s beautiful ghost-like score set a tone of melancholy and sensitively added weight to Pablo Larraín's searing and intimate portrait of Jackie Kennedy in the events leading up to and following the assassination of her husband.

Esteemed British composer Debbie Wiseman’s breakthrough arrived with her characteristically upwardly yearning score for romantic drama Tom and Viv - the passionate, true and tragic love story of T.S Eliot (Willem Dafoe), one of the greatest poets of the 20th Century, and his first wife Vivienne (Miranda Richardson), a vivacious social beauty.