{"id":12486,"date":"2026-03-11T11:14:38","date_gmt":"2026-03-11T11:14:38","guid":{"rendered":"https:\/\/watershed.co.uk\/filmhub\/?post_type=guides_resources&p=12486"},"modified":"2026-03-11T11:53:19","modified_gmt":"2026-03-11T11:53:19","slug":"weaving-the-climate-into-your-narrative","status":"publish","type":"guides_resources","link":"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/weaving-the-climate-into-your-narrative\/","title":{"rendered":"Weaving the\u00a0Climate\u00a0Into\u00a0Your\u00a0Narrative\u00a0"},"content":{"rendered":"\n
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Talent Executive and author Nadia Attia encourages you to consider the power of your platform. <\/h3><\/div>\n\t\t\t\t\t \t\t\t\t \t\t\t\t\t \t\t\t\t <\/div>\n\n\t\t\t\t \t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n
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\u2018If climate is not in your st<\/span>ory<\/span>,\u00a0<\/span>it<\/span>\u2019s science\u00a0<\/span>fiction.\u2019<\/span><\/span>\u00a0<\/span><\/span><\/p>\n

I heard these words\u00a0<\/span>at<\/span>\u00a0a<\/span>n\u00a0<\/span>Albert\u00a0<\/span>training session on sustainability in the film and TV industry and\u00a0<\/span>they<\/span>\u00a0<\/span>stuck with me<\/span>.\u00a0<\/span>We\u2019ve all seen the news<\/span>,<\/span>\u00a0our \u2018house is on fire\u2019 and those in power are consistently reneging on their climate promises and missing targets\u00a0<\/span>\u2013\u202f <\/span>often deliberately, in favour of profit and geopolitics.<\/span>\u00a0<\/span>So<\/span>\u00a0what can we creatives do? Turns out, quite a bit. As a filmmaker you have a brilliant platform to tell stories that matter, that inspire<\/span>\u00a0<\/span>or at least<\/span>\u00a0offer pause<\/span>–<\/span>for<\/span>–<\/span>thought. Look at the effect a recent TV drama had on the Post Office scandal<\/span>:<\/span>\u00a0<\/span>stories can galvanise\u00a0<\/span>action<\/span>.<\/span>\u00a0B<\/span>ut how can we write about the climate crisis without being<\/span>\u00a0preachy or scaring audiences into apathy<\/span>?<\/span>\u00a0In this blog\u00a0<\/span>I\u2019ll<\/span>\u00a0offer a few tips and approaches for you to consider.<\/span>\u00a0<\/span><\/span>\u00a0<\/span><\/p>\n<\/p><\/div>\n\t\t\t\t\t \t\t\t\t\t \t\t\t\t <\/div>\n\n\t\t\t\t \t\t\t\t\t\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\tFilm still from Bare Roots \t\t\t\t\t\t\t\t\t\t<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t <\/div>\n\t\t\t\t \t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n
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Celebrate what we have<\/h3><\/div>\n\t\t\t\t\t \t\t\t\t \t\t\t\t\t

Sure, there\u2019s a place for a dystopian thriller or a disaster movie about floods or wildfires, but by getting someone to fall in love (or back in love) with nature might have just as strong an impact.<\/span><\/p>\n

We\u2019re<\/span>\u00a0more likely to care about and fight for something that we\u00a0<\/span>understand<\/span>, so think about weaving the environment into your stories in\u00a0<\/span>more intimate,\u00a0<\/span>positive ways, not just as an antagonistic, devastating force.\u00a0<\/span>Many of the recent f<\/span>ilms we\u2019ve s<\/span>upported have<\/span>\u00a0seen nat<\/span>ure through a lens of healing<\/span>,<\/span>\u00a0or\u00a0<\/span>landscape and tradition as\u00a0<\/span>something to protect.\u00a0<\/span>Think about nature as<\/span>\u00a0<\/span>a\u00a0<\/span>fertile\u00a0<\/span>garden for the imagination, a place to escape\u00a0<\/span><\/span>to<\/span><\/span><\/em>\u00a0not run away from<\/span>.\u00a0<\/span>Even the most subtle things can be powerful \u2013 a passing comment, a childhood memory, a fleeting glimpse of beauty<\/span>\u00a0between the\u00a0<\/span>cracks\u2026<\/span><\/span>\u00a0<\/span><\/p>\n<\/p><\/div>\n\t\t\t\t\t \t\t\t\t\t \t\t\t\t <\/div>\n\n\t\t\t\t \t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n

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\u2018We really did have everything, didn’t we? I mean, when you think about it.\u2019<\/h2>\n

Randall Mindy, Don’t Look Up<\/em><\/p>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n

<\/p>\n\n\n\n

\"Close-up
Film still from Alo<\/em><\/figcaption><\/figure>\n\n\n\n
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Imagine what could be <\/h3><\/div>\n\t\t\t\t\t \t\t\t\t \t\t\t\t\t

Without being too on-the-nose or twee,\u00a0<\/span>consider\u00a0<\/span>a future where humans have learned from their mistakes and found a way to align with the environment<\/span>,\u00a0<\/span>even better \u2013\u00a0<\/span>create a sense of longing for this<\/span>\u00a0and inspire<\/span>\u00a0<\/span>hope<\/span>\u00a0in your audience<\/span>.<\/span>\u00a0<\/span>P<\/span>erhaps your story\u00a0<\/span>is a \u2018thrutopia<\/a>\u2019 that\u00a0<\/span>feels closer to now,<\/span>\u00a0a transient stage of our existence where our intentions are good\u00a0<\/span>and repair is in progress\u00a0<\/span>but\u00a0<\/span>we\u2019re<\/span>\u00a0not yet nailing it<\/span>.<\/span>\u00a0If \u2018evolve or die\u2019 is\u00a0<\/span>a fact of life<\/span>, what\u00a0<\/span>emotional or behavioural\u00a0<\/span>evolutions must we go th<\/span>r<\/span>ough\u00a0<\/span>to<\/span>\u00a0find harmony again?<\/span>\u00a0<\/span><\/span>\u00a0<\/span><\/p>\n<\/p><\/div>\n\t\t\t\t\t \t\t\t\t\t \t\t\t\t <\/div>\n\n\t\t\t\t \t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n

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‘Let us make no mistake: the climate crisis is also a crisis of culture, and thus of the imagination.\u2019<\/h2>\n

Amitav Ghosh, author<\/p>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n

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Check\u00a0those\u00a0clich\u00e9s\u00a0<\/h3><\/div>\n\t\t\t\t\t \t\t\t\t \t\t\t\t\t

Do your research to\u00a0avoid misinformation.\u00a0There are plenty of damaging stereotypes in film and TV that\u00a0only act to support the notion that change is\u00a0hopeless\u00a0and we must\u00a0put\u00a0unquestioning\u00a0faith in those in power.\u00a0How\u00a0might\u00a0you subvert the\u00a0dope-addled hippy or always-angry activist\u00a0clich\u00e9s\u00a0and give us a fresh take on\u00a0those who\u00a0shun\u00a0societal norms or speak up against embedded, exploitative\u00a0structures?\u00a0Instead of\u00a0\u2018othering\u2019\u00a0those characters or presenting them as\u00a0a source of derision\u00a0could\u00a0they be applauded for thinking differently? Isn\u2019t a rule-breaker often the most intriguing character?\u00a0And remember, we\u00a0don\u2019t\u00a0have to love these outliers, we just need to understand them\u00a0and\u00a0perhaps see\u00a0a bit of ourselves in them.<\/span>\u00a0<\/span><\/p>\n

Whichever approach you take, my final appeal to you is to remember that when\u00a0you\u2019re\u00a0literally\u00a0<\/span>world-building<\/span><\/i>\u00a0you hold\u00a0immense\u00a0power;\u00a0the question is,\u00a0what will you do with\u00a0it?<\/span>\u00a0<\/span><\/p>\n<\/p><\/div>\n\t\t\t\t\t \t\t\t\t\t \t\t\t\t <\/div>\n\n\t\t\t\t \t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n

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Film still from Mermaids<\/em><\/figcaption><\/figure>\n\n\n\n
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Further\u00a0Resources\u00a0<\/h3><\/div>\n\t\t\t\t\t \t\t\t\t \t\t\t\t\t

BAFTA Albert training<\/span><\/a>
\nThe Green Rider\u00a0campaign<\/span><\/a>\u00a0<\/span>
\nClimate Spring\u2019s Storytelling Guide<\/span><\/a>\u00a0<\/span>
\nHeard<\/span><\/a>\u00a0<\/span>
\nPicture Zero<\/span><\/a>\u00a0<\/span>
\nScreenskills Editorial Tips<\/span><\/span><\/a>\u00a0<\/span>
\nEmergence Magazine podcast\/stories<\/span><\/a>
\nClimate Fiction Writers League<\/span><\/a>: Can climate fiction be uplifting?\u00a0<\/span>\u00a0<\/span>
\nClimate Action Venn Diagram<\/span><\/a>\u00a0<\/span>\u00a0<\/span>
\nThe Power of \u2018Deep Narratives\u2019<\/span><\/a>\u00a0by Ella\u00a0Saltmarshe<\/span>\u00a0<\/span>
\n\u00a0<\/span><\/p>\n<\/p><\/div>\n\t\t\t\t\t \t\t\t\t\t \t\t\t\t <\/div>\n\n\t\t\t\t \t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n

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Suggested Viewing <\/h3><\/div>\n\t\t\t\t\t \t\t\t\t \t\t\t\t\t

There Will Come Soft Rains<\/a><\/em>\u00a0<\/em>(short)<\/span>\u00a0<\/span>
\nBeltane<\/a><\/em>\u00a0(short)<\/span>\u00a0<\/span>
\nBare Roots<\/a><\/em>\u00a0<\/em>(short)<\/span>\u00a0<\/span>
\nHomegrown<\/em><\/span><\/a>\u00a0(short)<\/span>\u00a0<\/span>
\nTrain Dreams<\/a><\/em>\u00a0<\/em>(feature)<\/span>\u00a0<\/span>
\nH is for Hawk<\/a><\/em>\u00a0(feature)<\/span>\u00a0<\/span>
\nThe Lost Bus<\/em><\/span><\/a>\u00a0(feature)<\/span>\u00a0<\/span>
\nKensuke\u2019s Kingdom<\/a><\/em>\u00a0(feature)<\/span>\u00a0<\/span>
\nFlow<\/a><\/em>\u00a0<\/em>(feature)<\/span>\u00a0<\/span>
\nJurassic World: Rebirth<\/em><\/span><\/a>\u00a0(feature)<\/span>\u00a0<\/span>
\nBird<\/a><\/em>\u00a0<\/em>(feature)<\/span>\u00a0<\/span>
\nThe Outrun<\/a><\/em>\u00a0<\/em>(feature)<\/span>\u00a0<\/span><\/p>\n<\/p><\/div>\n\t\t\t\t\t \t\t\t\t\t \t\t\t\t <\/div>\n\n\t\t\t\t \t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Talent Executive and author Nadia Attia encourages you to consider the power of your platform.<\/p>\n","protected":false},"featured_media":12499,"template":"","categories":[14],"tags":[],"class_list":["post-12486","guides_resources","type-guides_resources","status-publish","has-post-thumbnail","hentry","category-making-films"],"acf":[],"yoast_head":"\nWeaving the\u00a0Climate\u00a0Into\u00a0Your\u00a0Narrative\u00a0 | Film Hub South West<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/weaving-the-climate-into-your-narrative\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Weaving the\u00a0Climate\u00a0Into\u00a0Your\u00a0Narrative\u00a0 | Film Hub South West\" \/>\n<meta property=\"og:description\" content=\"Talent Executive 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