{"id":11172,"date":"2025-04-07T11:44:01","date_gmt":"2025-04-07T10:44:01","guid":{"rendered":"https:\/\/watershed.co.uk\/filmhub\/?page_id=11172"},"modified":"2025-10-09T16:56:29","modified_gmt":"2025-10-09T15:56:29","slug":"guides-resources-for-filmmakers","status":"publish","type":"page","link":"https:\/\/watershed.co.uk\/filmhub\/making-films\/guides-resources-for-filmmakers\/","title":{"rendered":"Guides &amp; Resources for Filmmakers"},"content":{"rendered":"\n<section class=\"spaceBlock text style01\" >\n\t<div class=\"innerPadding\">\n\t\t<div class=\"widthContainer thin\">\n\t\t\t<p>With our partners across BFI NETWORK we create handy guides and resources to support short film writers, producers and directors at every stage of production.<\/p>\n<p>Is there something you\u2019re looking for that we\u2019ve not covered? Email us at\u00a0<a href=\"mailto:bfinetwork@watershed.co.uk\">bfinetwork@watershed.co.uk<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n<\/section>\n\n \t<section class=\"spaceBlock gridBlock style05 paddingAll\">\n\t\t<div class=\"innerPadding\">\n\t\t\t\t\t\t<div class=\"widthContainer wide\">\n\t\t    \t\t\t\t        <div class=\"blockTitle small\">\n\t\t\t        \t<h2>Resources\t\t\t        \t\t<a href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/\" class=\"readMore\">See all<\/a>\t\t\t        \t<\/h2>\n\t\t\t        <\/div>\n\t\t\t    \t\t\t<\/div>\n\t\t\t\t\t    <div class=\"wide\">\n\t\t\t    <div class=\"grid wrap left\">\n\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-12486\" class=\"gridItem style01 span4 post-12486 guides_resources type-guides_resources status-publish has-post-thumbnail hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/weaving-the-climate-into-your-narrative\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"A person in a green coat walks through a vast, golden field toward a clear blue ocean under a bright sky.\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2026\/03\/BareRoots_001jpg-scaled.jpg\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>Weaving the\u00a0Climate\u00a0Into\u00a0Your\u00a0Narrative\u00a0<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>Talent Executive and author Nadia Attia encourages you to consider the power of your platform.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-12159\" class=\"gridItem style01 span4 post-12159 guides_resources type-guides_resources status-publish has-post-thumbnail hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/role-of-the-environment-in-immersive-storytelling\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-09-at-16.14.16.png\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>The Role of the Environment in Immersive Storytelling<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>Hear from Ruth Mariner, a previous recipient of the Early Development Fund, about the role of the environment when developing immersive long-form work.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-11828\" class=\"gridItem style01 span4 post-11828 guides_resources type-guides_resources status-publish has-post-thumbnail hentry category-making-films category-news category-training-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/top-seven-tips-for-applying-to-bfi-network-south-west-labs-programmes\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2025\/09\/Clapper-board-Director-Lab_featured_image.jpg\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>Top seven tips for applying to BFI NETWORK South West Labs &amp; Programmes<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>Here are some tips to help make your application clear, focused and genuinely reflective of you and your work.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-10744\" class=\"gridItem style01 span4 post-10744 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/financing-short-films-for-anyone-who-thinks-they-cant-2\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2025\/02\/inside-screen-2025-1200-x-800-px-2.png\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>Financing Short Films (For Anyone Who Thinks They Can\u2019t!)<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>An online session, led by producer Anna Duff, to help you navigate gaps in your short film budget.\r\n\r\n<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-10657\" class=\"gridItem style01 span4 post-10657 guides_resources type-guides_resources status-publish hentry category-making-films tag-filmmakers tag-funding\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/short-film-fund-dos-and-donts\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"a nun dressed in a golden glitter habit\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/01\/000027060019-scaled.jpg\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>Short Film Fund Application Do\u2019s &amp; Don\u2019ts\u00a0<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>Get key tips for a successful BFI NETWORK Short Film Fund application, covering project descriptions, budgeting, and common pitfalls to avoid.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-10564\" class=\"gridItem style01 span4 post-10564 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/reflections-bfi-network-south-west-animation-producer-lab-2024\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2024\/04\/Screenshot-2023-12-20-at-15.50.40.png\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>Reflections: BFI NETWORK South West Animation Producer Lab 2024<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>In summer 2024 we ran an Animation Producer Lab to support entry-level animation producers from across the south west of England. This new lab was made possible by the Screenskills Animation Skills Fund.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-9584\" class=\"gridItem style01 span4 post-9584 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/new-voices-x-bristol-old-vic-theatre-school\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2024\/04\/director-lab-1200-x-800-px.png\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>New Voices x Bristol Old Vic Theatre School\u00a0<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>Our collaboration with Bristol Old Vic Theatre School allowed the writer-directors a chance to workshop their scripts with acting MA students. We sat down with Jess Wheeler, BFI NETWORK Talent Exec, and Em Smith, Head of Screen MA, to chat about the partnership and what it brought to New Voices.\u00a0<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-9579\" class=\"gridItem style01 span4 post-9579 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/bfi-network-south-west-short-film-fund-roundtable-budgets-101\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"Behind the scenes of a film shoot in a green landscape with a film crew and a sunset behind them\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2024\/03\/The-Thing-That-Ate-the-Birds_BTS.jpg\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>BFI NETWORK South West: Short Film Fund Roundtable: Budgets 101<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>Find out more at this online discussion and hear from experienced producer \u2013 and BFI NETWORK South West&#8217;s Project Coordinator \u2013 Anna Duff, who ran through an example budget and offered practical tips and pointers.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-9475\" class=\"gridItem style01 span4 post-9475 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/bfi-network-south-west-short-film-fund-roundtable-meet-the-producer\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2023\/06\/SALVAGE-STILL-3.jpg\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>BFI NETWORK South West Short Film Fund Roundtable: Meet the Producer<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>The BFI NETWORK Short Film Fund opens for applications this March. Join us for a discussion and Q&#038;A with a special guest.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-9449\" class=\"gridItem style01 span4 post-9449 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/intro-to-immersive-webinar\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2024\/03\/projects-wide-1200-x-800-px-1.png\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>Intro to Immersive webinar<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>BFI NETWORK\u2019s Short Film Fund is re-opening in March and it supports live-action, animation and immersive projects. In anticipation of this, we hosted a free online session tailored specifically towards those interested in developing immersive or VR-based short works of up to 15-minutes in length.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-9303\" class=\"gridItem style01 span4 post-9303 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/stories-to-change-the-world\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2024\/01\/stories-website.png\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>Stories To Change The World<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>&#8216;If climate is not in your story, then it\u2019s science fiction&#8217; \u2013 Screenwriter and producer Dorothy Fortenberry.\r\n<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-8978\" class=\"gridItem style01 span4 post-8978 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/a-guide-to-the-early-development-fund\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"Close up of a clapper board\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2023\/10\/YummyMummyClapperBoard_Dreammore-Films-Ltd.jpg\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>A Talent Exec\u2019s Guide to the Early Development Fund<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>BFI NETWORK South West Talent Executive Nadia Attia offers some pointers on applying to the BFI NETWORK Early Development Fund.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-8837\" class=\"gridItem style01 span4 post-8837 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/selling-your-idea-what-makes-a-great-funding-application\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2023\/02\/Scripts.jpg\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>Selling Your Idea: What Makes a Great Funding Application?<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>BFI NETWORK South West Talent Executive Nadia Attia has read countless scripts for Channel 4, BBC, BFI, Studiocanal and more, and as an ex-filmmaker herself she\u2019s been on the flipside of applying for funding. She took some time out to share her learnings with you, to help your application stand out and prepare you for the next round of funding.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-8339\" class=\"gridItem style01 span4 post-8339 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/spines-a-case-study-in-working-with-neurodiverse-talent-and-crew\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"Writer-director (adult) with lead actor (child)\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2023\/08\/NATASHA_DSC_1956.jpg\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>Spines: A Case Study in Working with Neurodiverse Talent and Crew<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>In 2022 we commissioned one of our funded teams to create a case study on their short film\u00a0Spines.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-7597\" class=\"gridItem style01 span4 post-7597 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/a-rough-guide-to-animation-production\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"A still from Reach, a short animation. A stressed looking girl holds a match.\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2023\/01\/Reach-1200x800px.jpg\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>A Rough Guide to Animation Production<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>We\u2019ve created a handy guide for anyone thinking about making an animated short \u2013 this PDF includes information on budgeting, workflows and ways into animation, as well as a glossary of terms and plenty of useful links.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-7459\" class=\"gridItem style01 span4 post-7459 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/a-short-guide-to-music-licensing-with-prsformusic-2\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"graphic image: pro for music logo white text on a red blob\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/prs-guide-image.png\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>A Short Guide to Music Licensing with PRSForMusic<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>BFI NETWORK South West interviewed Performing Rights Society (PRS) representatives David Newton and Kerryn Hill to help demystify the process of licensing music for film.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-7452\" class=\"gridItem style01 span4 post-7452 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/short-film-toolkit\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"graphic image: white text reads \"the short film toolkit\" over a fuzzy red background\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/short-film-toolkit.png\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>Short Film Toolkit<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>This toolkit, the first of its kind, is an easy to use, comprehensive, digital guide with insights from over 40 filmmakers, funders, festival programmers and distributors, unlocking vital insights and advice for aspiring talent to help them get the most out of their short film journey and accelerate their careers.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t\t    <article id=\"post-7440\" class=\"gridItem style01 span4 post-7440 guides_resources type-guides_resources status-publish hentry category-making-films\">\n\t\n\t<a class=\"gridItemLink\" href=\"https:\/\/watershed.co.uk\/filmhub\/guides_resources\/a-short-guide-to-music-licensing-with-prsformusic\/\" rel=\"bookmark\">\n\t\t    \t\t<div class=\"gridImage\">\n    \t\t\t<div class=\"imgWrapper\"><img decoding=\"async\" alt=\"two girls sit on a beach at sunrise, and a boom mic hovers over their heads and the horizon\"\n src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/mermaids-for-sound-guide.png\"\/><\/div>\n    \t\t<\/div>\n\t\t\t\t<div class=\"gridContentWrapper\">\n\t\t\t<div class=\"gridHeader\">\n\t\t\t\t<h2>A Short Guide to Working With Music Supervisors and Composers<\/h2>\t\t\t<\/div>\n\t\t\t<div class=\"gridContent\">\n\t\t\t\t\t\t\t\t<p>BFI NETWORK South West caught up with Angela Penhaligon, a freelance music supervisor \u2013 and an artist in her own right \u2013 to discuss her role and shed some light on rights, composers and keeping an open mind when it comes to music in film.<\/p>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/a>\n\t<\/article>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\t\n\n\n\n<section class=\"spaceBlock form style03\" >\n\t<div class=\"innerPadding\">\n\t\t\t\t<div class=\"widthContainer wide\">\n\t\t\t\t\t\t\t<div class=\"blockTitle\"><h2>Sign up for the BFI NETWORK South West mailing list<\/h2><\/div>\n\t\t\t\t\t\t\t\t\t \t<div class=\"blockContent\"><p><p>Your email will be used by Film Hub South West only to send you BFI NETWORK South West updates.<br \/>\nYou can unsubscribe at any time using the link in any of our emails.<br \/>\nFor more details, review our <a href=\"http:\/\/privacy-policy\">privacy policy<\/a>.<\/p>\n<\/p><\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wide\">\n\n\t\t \t<div class=\"blockForm\">\n<div class=\"wpcf7 no-js\" id=\"wpcf7-f11611-o1\" lang=\"en-US\" dir=\"ltr\" data-wpcf7-id=\"11611\">\n<div class=\"screen-reader-response\"><p role=\"status\" aria-live=\"polite\" aria-atomic=\"true\"><\/p> <ul><\/ul><\/div>\n<form action=\"\/filmhub\/wp-json\/wp\/v2\/pages\/11172#wpcf7-f11611-o1\" method=\"post\" class=\"wpcf7-form init a36505aeeeb2 cmatic-conn cmatic-aud-5 cmatic-mapd0-0 cmatic-v0978 cmatic-sent-0 cmatic-total-6\" aria-label=\"Contact form\" novalidate=\"novalidate\" data-status=\"init\">\n<fieldset class=\"hidden-fields-container\"><input type=\"hidden\" name=\"_wpcf7\" value=\"11611\" \/><input type=\"hidden\" name=\"_wpcf7_version\" value=\"6.1.5\" \/><input type=\"hidden\" name=\"_wpcf7_locale\" value=\"en_US\" \/><input type=\"hidden\" name=\"_wpcf7_unit_tag\" value=\"wpcf7-f11611-o1\" \/><input type=\"hidden\" name=\"_wpcf7_container_post\" value=\"0\" \/><input type=\"hidden\" name=\"_wpcf7_posted_data_hash\" value=\"\" \/>\n<\/fieldset>\n<div class=\"wpcf7-turnstile cf-turnstile\" data-sitekey=\"0x4AAAAAABvR2vUF_vwJwbLX\" data-response-field-name=\"_wpcf7_turnstile_response\"><\/div>\n\n<div class=\"grid wrap\">\n<div class=\"span6\">\n    <span class=\"wpcf7-form-control-wrap\" data-name=\"your-name\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-text wpcf7-validates-as-required\" autocomplete=\"name\" aria-required=\"true\" aria-invalid=\"false\" placeholder=\"Name\" value=\"\" type=\"text\" name=\"your-name\" \/><\/span>\n<\/div>\n<div class=\"span6\">\n   <span class=\"wpcf7-form-control-wrap\" data-name=\"your-email\"><input size=\"40\" maxlength=\"400\" class=\"wpcf7-form-control wpcf7-email wpcf7-validates-as-required wpcf7-text wpcf7-validates-as-email\" autocomplete=\"email\" aria-required=\"true\" aria-invalid=\"false\" placeholder=\"Email\" value=\"\" type=\"email\" name=\"your-email\" \/><\/span>\n<\/div>\n<div class=\"span12\">\n     <div class=\"checkbox\"><span class=\"wpcf7-form-control-wrap\" data-name=\"fan_opt_in\"><span class=\"wpcf7-form-control wpcf7-checkbox wpcf7-validates-as-required\"><span class=\"wpcf7-list-item first last\"><label><input type=\"checkbox\" name=\"fan_opt_in[]\" value=\"Sign me up to the BFI NETWORK South West newsletter\" \/><span class=\"wpcf7-list-item-label\">Sign me up to the BFI NETWORK South West newsletter<\/span><\/label><\/span><\/span><\/span><\/div>\n<\/div>\n<div class=\"span12 submitWrapper\">\n<input class=\"wpcf7-form-control wpcf7-submit has-spinner\" type=\"submit\" value=\"Sign up\" \/>\n<\/div>\n<\/div><div class=\"wpcf7-response-output\" aria-hidden=\"true\"><\/div>\n<\/form>\n<\/div>\n<\/div>\n\t\t<\/div>\n\t\t\t<\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"author":26,"featured_media":0,"parent":11131,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-11172","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized 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