{"id":5622,"date":"2021-07-13T12:48:38","date_gmt":"2021-07-13T11:48:38","guid":{"rendered":"https:\/\/watershed.co.uk\/filmhub\/?p=5622"},"modified":"2021-07-16T09:03:38","modified_gmt":"2021-07-16T08:03:38","slug":"meet-the-critics-cine-redis-2021","status":"publish","type":"post","link":"https:\/\/watershed.co.uk\/filmhub\/news\/meet-the-critics-cine-redis-2021\/","title":{"rendered":"Meet the Cinema Rediscovered 2021 Film Critics Workshop participants"},"content":{"rendered":"\n

With just two weeks to go until the 5th edition of Cinema Rediscovered<\/a> (28 July \u2013 1 Aug 2021) kicks off, the festival announces the eleven participants selected for this year’s Film Critics\u2019 Workshop.<\/p>\n\n\n\n

This opportunity is designed to support aspiring and early career film critics to develop their practice, meet other critics, and learn from those working in the industry. This is the inaugural online edition of the Film Critics\u2019 Workshop and will be running from July \u2013 Sept 2021. Find out more about the eleven rising critics taking part and keep an eye out for updates and writings from them following the festival – and in the future! <\/p>\n\n\n\n

The workshop is led by critic and improvisor Tara Judah<\/a>, with guest speakers including filmmaker and editor Gina Telaroli (MUBI Notebook) Jonathan Bygraves (film historian, programmer and video editor) and Jemma Desai (programmer, researcher and writer.)<\/p>\n\n\n\n

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Angela<\/strong> Moore<\/strong> is a half-English, half-Khasi writer living in London. She grew up in Cambridge, studied Sociology at Warwick, and now works for a creative writing charity in London. She has always spent an inordinate amount of time at the cinema \u2013 especially when she worked at the BFI and got free tickets. <\/p>\n\n\n\n

Angela is particularly interested in old Hollywood and other repertory cinema, but she loves films from all eras and countries. She is drawn to charisma and stardom, conscious artificiality, melodrama, heightened emotions, camp, fashion and style, explorations of identity, music and dance, and cinema that engages all the senses (or seems to). In criticism, she is interested in historical context and re-evaluation, the stories and personalities behind the films, personal responses, and good writing. She believes a bad but interesting film is sometimes better than a serviceable one.  <\/p>\n\n\n\n

You can read some of her work here<\/a>.\u00a0 You can find her on the dancefloor or eating pasta, probably.\u00a0<\/p>\n<\/div><\/div>\n\n\n\n

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Catherine Putman<\/strong> is based in Brighton, and has MA and BA degrees in Film Studies from the University of Sussex.  From a working-class background and striving to make changes in her life, Catherine proudly gained her degrees as a mature student after a thirty-year gap in education. Passionate about researching and writing on film, Catherine has subsequently had film articles published in Senses of Cinema.<\/em> <\/p>\n\n\n\n

Catherine’s debut piece focuses on Kelly Reichardt\u2019s \u2018unique temporal rhythms\u2019 in the \u2018anti-Hollywood\u2019, Meeks Cutoff <\/em>(2010).  Her second article, featured in the \u2018World Poll\u2019 issue of Senses<\/em>, pays tribute to #fridayfilmclub.  This virtual club was set up by the independent filmmaker, Carol Morley \u2013 via Twitter \u2013 to bring film lovers together during the first lockdown.  Catherine writes on the films of other women filmmakers such as Clio Barnard, Lucrecia Martel, and Andrea Arnold.  Whilst many people are struggling financially due to the pandemic, Catherine regularly recommends and writes on films that are free to stream via her social media.  <\/p>\n<\/div><\/div>\n\n\n\n

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Charlotte Geater<\/strong> is originally from Suffolk but lives in Walthamstow, and is a freelance writer and poetry editor. Her poetry has been published in The White Review and Strange Horizons. She won the 2021 UEA New Forms Award for a novel in progress which blends the forms of fiction and essay; it partly focuses on films about rural Suffolk. She is interested in experimental cinema, short films, romantic comedies, and rural life on film.<\/p>\n\n\n\n

Twitter: @tambourine<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Clare Brunton<\/strong> is a freelance film critic. A graduate of York St John University where she studied Film and Television Production and an ex-Film and Media secondary school teacher, she now spends her time watching and writing about film and tv, without the noisy teenagers telling her it\u2019s boring! She has written for Film Stories, CineChat, CRPWrites as well as others. <\/p>\n\n\n\n

A frequent podcast guest, she also co-hosts her own show W-Rated,\u202fwhich reevaluates the \u2018worst\u2019 films as voted by IMDB.\u202fA big fan of independent and female led cinema, she also loves a big screen Marvel adventure.  <\/p>\n\n\n\n

Twitter: clareellenhope<\/a> <\/p>\n\n\n\n

Instagram: clareellenhope<\/a> <\/p>\n<\/div><\/div>\n\n\n\n

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Ian Wang<\/strong>\u202f is a writer based in London and Manchester. He likes thinking about film, memory, the East Asian diaspora, and internet culture, and his writing often explores the relationships between all four. He is also particularly interested in the history of international animation. His writing on film and culture has been published in the Quietus, Little White Lies, Dazed, Hyperallergic, It’s Nice That and Bright Wall\/Dark Room. He was previously an intern at the Guardian. <\/p>\n\n\n\n

Twitter: @iantwang<\/a> <\/p>\n<\/div><\/div>\n\n\n\n

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Jake<\/strong> Abatan\u202f<\/strong>is a freelance film writer based in Brighton. He holds a BA (Hons) in English and Film Studies and earned his MA in Film Studies from the University of Sussex in 2020, writing his dissertation on James Dean and CGI star re-animation. He currently serves as Deputy Film Editor for\u202fThe Indiependent<\/em>, a volunteer lead arts and culture site with a strong focus on fostering writers at the start of their career. His main interests include animation, auteur studies, and genre film. <\/p>\n\n\n\n

Website:\u202fwww.jake-abatan.com<\/a> <\/p>\n\n\n\n

Twitter:\u202f@AI3atan<\/a> <\/p>\n<\/div><\/div>\n\n\n\n

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Malaika Kegode<\/strong> is a writer, performer and producer. She has appeared on stages at a number of festivals and literary events including WOMAD and Edinburgh Book Festival. She has published two poetry collections with Burning Eye Books, and the playtext of her debut theatre show Outlier <\/em>is published by Salamander Street. An autobiographical gig-theatre show created with prog-rock band Jakabol, Outlier <\/em>was the first piece of new writing to appear on Bristol Old Vic\u2019s main stage in 2021. In addition to her own writing, Malaika is a poetry mentor and workshop leader. <\/p>\n\n\n\n

She is the founder and lead producer of Milk Poetry, an organisation that produces innovative spoken word events in a supportive environment. Outside of poetry, she is passionate about writing on the themes of cinema, culture and race. Malaika also studies film and has worked as a programme selector for Encounters Film Festival and Tallinn Black Nights. Her debut short poetry-film Wide as the Sea, <\/em>an exploration of millennial Queer culture, <\/em>wasmade over the 2021 lockdown on a \u00a310 budget. It has been shown at various online events, including Queer Vision<\/em>\u2019s Sofa Club. She is excited to continue exploring genre, form and the power of the written word made visual.<\/p>\n<\/div><\/div>\n\n\n\n

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Nadira<\/strong> Begum <\/strong>is a freelance writer and contributor for Obscur Media. A recent English graduate from Manchester, Nadira’s interests lie in film and literature, with a particular passion for texts that explore love and familial bonds. Her favourite author is\u202fJames Baldwin and her favourite directors include Greta Gerwig and David Fincher. <\/p>\n\n\n\n

Twitter: @nadirawrites<\/a> <\/p>\n\n\n\n

Instagram: @iamnadirabegum<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Yasmin Begum<\/strong> is a writer, activist and creative practitioner based in Cardiff, Wales. She currently works as a British Film Institute Youth Fan Consultant, and has worked with Ffilm Cymru Wales, Inclusive Cinema, Hansh and more. Yasmin is really passionate about engagement, equality, evaluation and diversity.<\/p>\n<\/div><\/div>\n\n\n\n

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Thomas Flew<\/strong> is Editorial Assistant at Sight & Sound magazine. They are currently completing an MA in Film and Screen Media with Film Programming and Curating at Birkbeck, University of London, with a dissertation focussing on films by Josephine Decker and Freud\u2019s theory of the uncanny. <\/p>\n\n\n\n

Twitter: @thomasflew<\/a><\/p>\n<\/div><\/div>\n\n\n\n

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Yasmin Omar<\/strong> is the entertainment writer at\u202fHarper’s Bazaar,\u202f<\/em>where she writes actor and filmmaker profiles, cover stories and think pieces for print and digital. A Rotten Tomatoes-approved film critic, she started her online review column\u202f’Why You Should Watch’ for\u202fBazaar<\/em>\u202fin 2019 and regularly covers all manner of movies, from foreign-language features to American indies and superhero blockbusters.\u202f<\/p>\n\n\n\n

Yasmin annually reports from key film festivals \u2013 she waited 4.5 hours to catch the first screening of Once Upon a Time in Hollywood<\/em>\u202fat Cannes and maintains every second was worth it \u2013 as well as red-carpet events.\u202fHer writing has been published in the\u202fFinancial Times<\/em>, the\u202fGuardian<\/em>,\u202fDigital Spy<\/em>,\u202fTown & Country<\/em>,\u202fGirls on Tops (Read Me)<\/em>\u202fand\u202fFilm Cred<\/em>.\u202f <\/p>\n\n\n\n

Twitter: @yasmin_omar6<\/a><\/p>\n\n\n\n

Letterboxd: @yasmin_omar6<\/a><\/p>\n\n\n\n

Instagram: @yasmin242<\/a><\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

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