{"id":7551,"date":"2022-12-28T13:51:17","date_gmt":"2022-12-28T13:51:17","guid":{"rendered":"https:\/\/watershed.co.uk\/filmhub\/?p=7551"},"modified":"2022-12-28T14:30:50","modified_gmt":"2022-12-28T14:30:50","slug":"members-top-films-of-2022","status":"publish","type":"post","link":"https:\/\/watershed.co.uk\/filmhub\/news\/members-top-films-of-2022\/","title":{"rendered":"Members Top Films of 2022!"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/2-1-1024x576.png\" alt=\"two people dressed in orange rags sit on a mountain side, cradling boxes and looking into the light.\" class=\"wp-image-7480\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/2-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/2-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/2-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">20. Small Body (dir. Laura Samani)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/3-1-1024x576.png\" alt=\"\" class=\"wp-image-7481\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/3-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/3-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/3-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">19. Lingui, The Sacred Bonds (Dir. Mahamat Saleh Haroun)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/4-1-1024x576.png\" alt=\"\" class=\"wp-image-7482\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/4-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/4-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/4-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">18. Triangle of Sadness, Ruben \u00d6stlund<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/5-1-1024x576.png\" alt=\"\" class=\"wp-image-7483\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/5-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/5-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/5-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">17. Playground (dir. Laura Wandel)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/6-1-1024x576.png\" alt=\"\" class=\"wp-image-7484\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/6-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/6-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/6-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/7-1-1024x576.png\" alt=\"16. Fire of Love (Dir. Sara Dosa)\" class=\"wp-image-7485\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/7-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/7-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/7-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">16. Fire of Love (Dir. Sara Dosa)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/8-1-1024x576.png\" alt=\"\" class=\"wp-image-7486\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/8-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/8-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/8-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">15. Queen of Glory (Dir. Nana Mensah)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/9-1-1024x576.png\" alt=\"\" class=\"wp-image-7487\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/9-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/9-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/9-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/10-1-1024x576.png\" alt=\"\" class=\"wp-image-7478\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/10-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/10-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/10-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">14. Everything Everywhere All At Once (Daniels)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/11-1-1024x576.png\" alt=\"\" class=\"wp-image-7488\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/11-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/11-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/11-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">13. Memoria (dir. Apichatpong Weerasethakul)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/12-1-1024x576.png\" alt=\"\" class=\"wp-image-7489\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/12-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/12-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/12-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">12. The Worst Person In The World (dir. Joachim Trier)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/13-1-1024x576.png\" alt=\"\" class=\"wp-image-7490\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/13-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/13-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/13-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">11. Ali &amp; Ava (dir. Clio Barnard)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/14-1-1024x576.png\" alt=\"What a soundtrack! I also loved hearing audiences discuss this film when leaving the cinema. I think it took a lot of people by surprise.\" class=\"wp-image-7491\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/14-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/14-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/14-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">What a soundtrack! I also loved hearing audiences discuss this film when leaving the cinema. I think it took a lot of people by surprise.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/15-1-1024x576.png\" alt=\"10. Boiling Point (Dir. Philip Barantini)\" class=\"wp-image-7492\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/15-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/15-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/15-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Boiling Point (Dir. Philip Barantini)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/16-1-1024x576.png\" alt=\"11. Parallel Mothers (Dir Pedro Almodovar)\" class=\"wp-image-7493\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/16-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/16-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/16-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">9. Parallel Mothers (Dir Pedro Almodovar)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/17-1-1024x576.png\" alt=\"11. Belfast (dir. Keneth Branagh)\" class=\"wp-image-7494\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/17-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/17-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/17-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">8. Belfast (dir. Keneth Branagh)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/18-1-1024x576.png\" alt=\"quote: For the warm and fuzzy feelgood of a packed cinema. Feeling the groove of 'Everlasting Love' while thanking our audience for coming, as they left the auditorium smiling\" class=\"wp-image-7495\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/18-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/18-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/18-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/19-1-1024x576.png\" alt=\"7. Belle (dir. Mamoru Hosoda)\" class=\"wp-image-7496\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/19-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/19-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/19-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">7. Belle (dir. Mamoru Hosoda)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/20-1-1024x576.png\" alt=\"6. RRR (dir. S. S. Rajamouli)\" class=\"wp-image-7497\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/20-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/20-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/20-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">6. RRR (dir. S. S. Rajamouli)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/21-1-1024x576.png\" alt=\"&quot;So far this year, RRR has been the most cinematic experience of 2022 featuring everything from an exciting story, gripping stakes, incredible action, tiger punching, dancing and the smashing of the British Empire&quot;\" class=\"wp-image-7498\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/21-1-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/21-1-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/21-1-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">&#8220;So far this year, RRR has been the most cinematic experience of 2022 featuring everything from an exciting story, gripping stakes, incredible action, tiger punching, dancing and the smashing of the British Empire&#8221;<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/22-1024x576.png\" alt=\"5. Flee (dir. Jonas Poher Rasmussen)\" class=\"wp-image-7499\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/22-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/22-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/22-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">5. Flee (dir. Jonas Poher Rasmussen)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/23-1024x576.png\" alt=\"4. Neptune Frost (dir. Saul Williams and Anisia Uzeyman)\" class=\"wp-image-7500\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/23-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/23-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/23-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">4. Neptune Frost (dir. Saul Williams and Anisia Uzeyman)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/24-1024x576.png\" alt=\"3. The Banshees of Inisherin (dir. Martin McDonagh)\" class=\"wp-image-7501\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/24-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/24-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/24-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">3. The Banshees of Inisherin (dir. Martin McDonagh)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/25-1024x576.png\" alt=\"Funny and melancholic in equal measure.\" class=\"wp-image-7502\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/25-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/25-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/25-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/26-1024x576.png\" alt=\"2. Drive My Car (dir.  Ryusuke Hamaguchi)\" class=\"wp-image-7503\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/26-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/26-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/26-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">2. Drive My Car (dir.  Ryusuke Hamaguchi)<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/27-1024x576.png\" alt=\"1. Aftersun (dir. Charlotte Wells)\" class=\"wp-image-7504\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/27-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/27-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/27-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">1. Aftersun (dir. Charlotte Wells)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/28-1024x576.png\" alt=\"\" class=\"wp-image-7505\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/28-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/28-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/28-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/30-1024x576.png\" alt=\"Thank You Members!\" class=\"wp-image-7507\" srcset=\"https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/30-1024x576.png 1024w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/30-1536x864.png 1536w, https:\/\/watershed.co.uk\/filmhub\/wp-content\/uploads\/2022\/12\/30-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":24,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-7551","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Members Top Films of 2022! 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