Elizabeth Chege trained as an architect and town planner but has long held a passion for film, art and music. She is from Kenya and is currently based in the UK forging her new path as a curator. In 2013, she founded Cine Kenya which is a curatorial space devoted to African cinema with a special dedication to Kenyan film. It is a repository of inspirations that includes visual arts and music alongside its film focus.
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Newly restored, Madeline Anderson’s essential historical records of activism and vital body of cinematic work convey a radical commitment to hope, Come the Revolution curator Liz Chege writes.
We watched a preview of the film with members of Come The Revolution, a collective of curators, programmers and creatives committed to exploring Black life on screen. In this reflective piece, collective member Liz Chege discusses The Fits, the lack of films focusing on Black female coming of age stories, the desire for belonging, and Black womanhood.