A special preview of the much anticipated re-release of Agnes Varda’s iconic real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy.

Gurinder Chadha's debut empowering classic comedy tells the story of a mini-bus full of women from the Asian Women's Centre on a trip to Blackpool.

Directed by women, each of these five short films playfully reflects upon notions of British sovereignty and identity.

Scottish poet, artist and filmmaker Margaret Tait's (1918 - 1999) first feature film Blue, Black, Permanent - about a woman attempting to tell the story of the death of her mother in the Orkney sea.

Leslie Harris' 1993 debut - a smart, attitude-packed coming-of-age story set in New York - holds an important place in film history as the first film written and directed by an African American woman to gain British distribution.

This striking modern romance tells the story of a transgender teen pushed to breaking point when love, life and labels collide.

BeDevil is the stunning debut feature from Tracey Moffatt and the first feature directed by an Australian Aboriginal woman. Presented by writer/curator Karen Alexander.

The Final Girls present a deeply underrated horror that looks at the twisted dynamic that emerges between an astronomer and her psychotic sister.

From Ildikó Enyedi (On Body and Soul), this magical film spins a tale of twin girls who are born in 1880 Budapest on the same moment Thomas Edison presents his electrical lightbulb to the world.

A shorts programme of the work of Madeline Anderson, the first African-American woman to executive-produce a nationally aired television series.