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 Where art and identity intersect in We the Animals 

Posted on Wed 5 June 2019 by Julia Ray

Julia Ray, on placement this year at Watershed through UWE's MA in Curation, reflects on the beautiful imagery and animation in We the Animals. Recognising young Jonah's journey into adolescence as a key moment to unleash individual creativity, Julia revisits her own experiences, at the intersection of art and individuality.

 Diversity & Drama: Cannes 2019 

Posted on Sun 2 June 2019 by Mark Cosgrove

Fresh from the Cannes Film Festival, Cinema Curator Mark Cosgrove reflects on the best and most anticipated titles he saw. From almost thirty films, Mark says this was the year when Cannes successfully put film back in the cinema, and vice versa.

 Introducing 'Fiction Documentary': power play in My Friend the Polish Girl 

Posted on Tue 28 May 2019 by Tara Judah

Bending the boundaries of genre far beyond their limits, filmmakers Ewa Banaszkiewicz and Mateusz Dymek have coined a new term for their unique feature debut, My Friend the Polish Girl. The 'Fiction Documentary', as they call it, questions both modes of filmmaking, asking us to think about the ethics and power dynamics at play every time a camera is picked up and aimed at an individual.

 Tribute to Aretha Franklin: A Natural Legend 

Posted on Thu 9 May 2019 by Roger Griffith

Aretha Franklin will always remain the Queen of Soul, but her voice, work and accomplishments stretch beyond music, author, broadcaster and Executive Chair at Ujima Radio, Roger Griffith, writes.

 Eighth Grade: honesty, anxiety and the Internet  

Posted on Wed 24 April 2019 by Julia Ray

Eighth Grade is a frank look at the anxieties of a twenty-nine-year-old male comedian, through the eyes of a thirteen-year-old girl. It might sound odd but, Julia Ray writes, it works more perfectly than you’d think.

 Rafiki: a politically charged love story 

Posted on Thu 18 April 2019 by Julia Ray

Following international outcry, surrounding its ban by the Kenya Film Classification Board for violating anti-LGBT+ laws, Rafiki is fast becoming one of the most talked about LGBT+ films of the last five years. Following the journey of tom-boyish Kena and the vibrant and impulsive Ziki, young love and friendship bloom in a politically charged neighbourhood of Nairobi. 

 Letter to Koreeda 

Posted on Wed 10 April 2019 by Tara Judah

Hirokazu Koreeda's films have taken up so much real estate in my heart that I wondered what I might say if I wrote a letter to the great filmmaker.

 Projections: an invitation to abandon expectations and explore new worlds 

Posted on Fri 5 April 2019 by Tara Judah

'Projections' is a collection of stunning short artists' moving image film commissions touring UK cinemas this Spring, and Watershed are thrilled to be showing all four. Each one has been matched to a feature film in our programme and will whisk you away to unusual and otherworldly places, offering visual and aural interventions of a super sensory kind..

 Beyond the Blockbuster: John Williams' Film Scores 

Posted on Thu 4 April 2019 by Sean Wilson

John Williams is well known for his signature Hollywood scores of Hollywood blockbusters, but there's so much more to his musical career in film. An epic talent across many genres, Williams' lesser known body of work is well worth discovery, writes film critic Sean Wilson

 Looking back at Carol Morley's Out of Blue 

Posted on Wed 3 April 2019 by Tara Judah

Carol Morley is a singular British talent whose latest feature film, Out of Blue, reveals a mystery so compelling it spans her entire career. Morley, who is a Cinema Detective of sorts, searches for a new way of looking that might just change the way we understand our own gaze.

 Simon Amstell on Benjamin: "The feelings are real" 

Posted on Mon 18 March 2019 by Tara Judah

Following a special preview screening of Benjamin, Simon Amstell joined writer and comedian Ellen Waddell on stage at Watershed for a Q&A that had the entire audience in stitches. Examining everything from his process to his deepest fears and how he travelled to Bristol from London (by train), Amstell was earnest and endearing, just like the characters he's brought to life onscreen, Cinema Producer Tara Judah writes.