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“ Harnessing Perversity ”

Posted on Thu 29 Oct 2020 by Jonathan Bygraves

To mark the 4K cinema restoration of David Cronenberg's infamous Crash, film historian, programmer and video editor Jonathan Bygraves explores the commonalities between the work of J.G. Ballard and David Cronenberg.

“ A Shadow of Thyself ”

Posted on Mon 26 Oct 2020 by Tara Judah

Facing the artist's shadow in the films of Josephine Decker.

“ London Film Fest at home ”

Posted on Mon 26 Oct 2020 by Tara Judah

This year's London Film Festival took place in our very own venue, and also at home. Here are a few of our highlights and films to look forward to in the coming months.

“ The Eyes Have it ”

Posted on Sun 18 Oct 2020 by Tara Judah

We caught up with writer-director Bassam Tariq to find out all about the Evil Eye and shadow conflict in Mogul Mowgli.

“ Thought In Action: Portrait of a Lady on Fire ”

Posted on Sun 15 March 2020

In the sixth and last instalment of Thought in Action, we had the delight of welcoming Albertine Fox (University of Bristol), Isobel Carrol (UWE Level 3 Student) and Charlotte Alderwick (UWE Bristol, Chair) to discuss the themes in Céline Sciamma’s Portrait of a Lady on Fire. UWE BA Philosophy student Georgia Harrison continues the conversation and explores Sciamma’s mesmerising exploration of the female gaze.

“ Thought In Action: Parasite ”

Posted on Tue 3 March 2020

In the fifth instalment of Thought in Action, we are welcomed with the expertise of Dr. JongMi Kim (Media and Cultural Theology, Coventry University), Dr. Maria Rousso (Philosophy, San Raffaele University, Milan), Dr. Bola Adediran (UWE Politics, chair) and Katie Preece (Philosophy UWE student) on the themes raised in Bong Joon-ho’s Parasite. UWE BA Philosophy student Georgia Harrison explores the various avenues taken to create the masterful portrayal of the destructive effects of Capitalism.

“ Unseen and Unexpected: Projections 2020 ”

Posted on Tue 25 Feb 2020 by Thea Berry

After a brief encounter with last year’s stunning ‘Projections’ programme, Watershed’s Cinema Producer, Thea Berry, is delighted to be welcoming back another collection of striking and thought-provoking short artists’ moving image films.

“ Thought in Action: The Lighthouse ”

Posted on Mon 17 Feb 2020

In the fourth instalment of Thought in Action, UWE's very own reps of the Philosophy (Katrina Mitcheson), Politics (Henrique Tavares Furtado) and Psychology (Miltos Hadijosif) departments discuss the themes raised in Robert Eggers’ The Lighthouse. UWE BA Philosophy student Georgia Harrison shares her experience on this original film which is practically a two-man combative story of madness and loneliness.

“ A festival in favour of the collective experience ”

Posted on Wed 5 Feb 2020 by Tara Judah

This year's International Film Festival Rotterdam (IFFR) focused on the collective - all the way across the film value chain from filmmaking to audiences. Sitting in darkened rooms with hundreds of other eager cinephiles, I was warmed by the beating heart of what we can create and experience as a collective.

“ Thought In Action: The Two Popes ”

Posted on Thu 5 Dec 2019

In the third instalment of Thought In Action, UWE's Suwita Hani Randhawa and a selection of panellists discuss the themes raised in Fernando Meirelles’ film ‘The Two Popes’. UWE BA philosophy student Georgia Harrison shares her thoughts on the captivating film which centres on ‘the two popes’ Benedict XVI and Francis and their relationship with their faith.

“ Facing Australian History ”

Posted on Thu 28 Nov 2019 by Tara Judah

Jennifer Kent's The Nightingale was marked by controversy in the press but the film is only as violent as the history it tells. Framing faces, Kent confronts the viewer with a powerful and philosophical contemplation of responsibility and culpability in the face of humanity.

“ Thought In Action: Monos ”

Posted on Thu 14 Nov 2019

In the second instalment of ‘Thought in Action’, panel host Francesco Tava was joined by University of Bristol Lecturer in Hispanic Media and Digital Communications Rachel Randall and UWE Senior Film Lecturer Humberto Perez-Blanco in a post screening discussion of the film’s core themes. UWE BA Philosophy student Georgia Harrison writes her response to the discussion around Alejandro Landes’ surreal and striking film on identity politics in relation to the realities of youth guerrilla warfare.

“ “Like a child, I have to poke at what’s forbidden” Violence and Consumerism in Isabella Eklöf’s Holiday ”

Posted on Wed 31 July 2019 by Thea Berry

Isabella Eklöf’s directorial debut caused more than a stir on the festival circuit in 2018 due to the frank portrayals of violence. Rather than being viewed as gratuitous - a word so often associated with on-screen violence - Eklöf is demanding the audience connect with what they already know but choose to ignore, writes Watershed Cinema Producer, Thea Berry.

“ 'We applied to be hosts': Refugees at Home ”

Posted on Mon 10 June 2019 by Frances Cox

Ahead of our run of Mahamat-Saleh Haroun's A Season in France and one-off screening of Sharon Walia's The Movement, as part of Bristol Refugee Week (June 17 - 23), we spoke with Frances Cox, who shares details of her experience as a host for Refugees at Home.

“ Where art and identity intersect in We the Animals ”

Posted on Wed 5 June 2019 by Julia Ray

Julia Ray, on placement this year at Watershed through UWE's MA in Curation, reflects on the beautiful imagery and animation in We the Animals. Recognising young Jonah's journey into adolescence as a key moment to unleash individual creativity, Julia revisits her own experiences, at the intersection of art and individuality.

“ Diversity & Drama: Cannes 2019 ”

Posted on Sun 2 June 2019 by Mark Cosgrove

Fresh from the Cannes Film Festival, Cinema Curator Mark Cosgrove reflects on the best and most anticipated titles he saw. From almost thirty films, Mark says this was the year when Cannes successfully put film back in the cinema, and vice versa.

“ Introducing 'Fiction Documentary': power play in My Friend the Polish Girl ”

Posted on Tue 28 May 2019 by Tara Judah

Bending the boundaries of genre far beyond their limits, filmmakers Ewa Banaszkiewicz and Mateusz Dymek have coined a new term for their unique feature debut, My Friend the Polish Girl. The 'Fiction Documentary', as they call it, questions both modes of filmmaking, asking us to think about the ethics and power dynamics at play every time a camera is picked up and aimed at an individual.

“ Tribute to Aretha Franklin: A Natural Legend ”

Posted on Thu 9 May 2019 by Roger Griffith

Aretha Franklin will always remain the Queen of Soul, but her voice, work and accomplishments stretch beyond music, author, broadcaster and Executive Chair at Ujima Radio, Roger Griffith, writes.

“ Eighth Grade: honesty, anxiety and the Internet ”

Posted on Wed 24 April 2019 by Julia Ray

Eighth Grade is a frank look at the anxieties of a twenty-nine-year-old male comedian, through the eyes of a thirteen-year-old girl. It might sound odd but, Julia Ray writes, it works more perfectly than you’d think.

“ Rafiki: a politically charged love story ”

Posted on Thu 18 April 2019 by Julia Ray

Following international outcry, surrounding its ban by the Kenya Film Classification Board for violating anti-LGBT+ laws, Rafiki is fast becoming one of the most talked about LGBT+ films of the last five years. Following the journey of tom-boyish Kena and the vibrant and impulsive Ziki, young love and friendship bloom in a politically charged neighbourhood of Nairobi.

“ Letter to Koreeda ”

Posted on Wed 10 April 2019 by Tara Judah

Hirokazu Koreeda's films have taken up so much real estate in my heart that I wondered what I might say if I wrote a letter to the great filmmaker.

“ Projections: an invitation to abandon expectations and explore new worlds ”

Posted on Fri 5 April 2019 by Tara Judah

'Projections' is a collection of stunning short artists' moving image film commissions touring UK cinemas this Spring, and Watershed are thrilled to be showing all four. Each one has been matched to a feature film in our programme and will whisk you away to unusual and otherworldly places, offering visual and aural interventions of a super sensory kind..

“ Beyond the Blockbuster: John Williams' Film Scores ”

Posted on Thu 4 April 2019 by Sean Wilson

John Williams is well known for his signature Hollywood scores of Hollywood blockbusters, but there's so much more to his musical career in film. An epic talent across many genres, Williams' lesser known body of work is well worth discovery, writes film critic Sean Wilson

“ Looking back at Carol Morley's Out of Blue ”

Posted on Wed 3 April 2019 by Tara Judah

Carol Morley is a singular British talent whose latest feature film, Out of Blue, reveals a mystery so compelling it spans her entire career. Morley, who is a Cinema Detective of sorts, searches for a new way of looking that might just change the way we understand our own gaze.

“ Simon Amstell on Benjamin: "The feelings are real" ”

Posted on Mon 18 March 2019 by Tara Judah

Following a special preview screening of Benjamin, Simon Amstell joined writer and comedian Ellen Waddell on stage at Watershed for a Q&A that had the entire audience in stitches. Examining everything from his process to his deepest fears and how he travelled to Bristol from London (by train), Amstell was earnest and endearing, just like the characters he's brought to life onscreen, Cinema Producer Tara Judah writes.

“ Getting to know Teddy Pendergrass: Part 2 ”

Posted on Mon 25 Feb 2019 by Tara Judah

When you think of soul music, the dulcet tones of Marvin Gaye, Smokey Robinson and Barry White spring to mind, but what about Teddy P?Teddy Pendergrass: If You Don't Know Me charts the rise of a should-have-been super star. Cinema Producer Tara Judah talks to radio presenter and promoter DJ Style about one of the world's lesser known first class soul singers.

“ Getting to know Teddy Pendergrass: Part 1 ”

Posted on Tue 19 Feb 2019 by Tara Judah

Countless music docs have taught us that talent alone isn’t enough. To really make it, you have to be a star. But what if all the elements are aligned and destiny has other plans? Teddy Pendergrass: If You Don't Know Me charts the rise of a true star who ought to be a household name. Cinema Producer Tara Judah talks to writer, historian and soul music fan Edson Burton about one of the world's lesser known, but quietly loved soul singers.

“ Feel IFFR - Highlights from this year's International Film Festival Rotterdam ”

Posted on Thu 14 Feb 2019 by Tara Judah

This year’s International Film Festival Rotterdam (IFFR) asked its audience to feel their way through its impressive 400+ programme of films. Feeling everything from vulnerable to strong, frightened to empowered, excited, anxious and occasionally confused, Cinema Producer Tara Judah reflects on this year’s festival, and highlights a few films we can expect to see at Watershed in the coming months.

“ The conversation continues with Capernaum ”

Posted on Mon 11 Feb 2019 by Tara Judah

From Peace Activist Bjørn Ilher speaking out about Erik Poppe's Utøya last year, to our most recent discussion on American politics and the legacy of the War on Terror following Adam McKay's Vice, the conversation is really ramping up, and it's about to get even more intense as Capernaum comes to Watershed, Cinema Producer Tara Judah writes.

“ The Island of Hungry Ghosts and Australian "compassion fatigue" ”

Posted on Wed 9 Jan 2019 by Tara Judah

Already exasperated by successive Australian governments and their refusal to treat refugees as human beings, Australian Cinema Producer Tara Judah explains why she was moved but not shocked by this poetic and emotionally charged documentary.

“ 2018 on screen: celebrating, supporting, revising and exploring ”

Posted on Thu 13 Dec 2018 by Tara Judah

As 2018 draws to a close, we cast our eye back over the year that was; from celebrating women in cinema and workers' rights, to reclaiming the canon, revising generic tropes and exploring the liminal spaces between fiction and reality. It's been a powerful year in film, and one worth remembering, Cinema Producer Tara Judah writes.

“ Discussing Disobedience: agency, resistance and reclaiming the self ”

Posted on Tue 27 Nov 2018 by Tara Judah

A careful and considered study of ritual and religion, Sebastian Lelio's Disobedience was this year's most personally affecting film for Cinema Producer Tara Judah.

“ Against the Odds: building Palestine's film industry under occupation ”

Posted on Thu 22 Nov 2018 by Aphra Evans

Modern-day Palestine is scarcely a place where you would expect to find a burgeoning film industry and yet, somehow, despite the occupation, politics, and resulting lack of resources, Palestinian film is blossoming, journalist and filmmaker Aphra Evans writes.

“ The lost credit of Margarethe von Trotta ”

Posted on Tue 30 Oct 2018 by Tara Judah

Margarethe von Trotta was one of the key figures of the New German Cinema movement, and yet she has constantly been overlooked by the cinematic history books. With four stunning new restorations of her most remarkable films back on the big screen, it's time to celebrate - and credit - this talented and strikingly political filmmaker, Cinema Producer Tara Judah writes.

“ Touch Me Not: fusing forms and breaking borders ”

Posted on Tue 23 Oct 2018 by Tara Judah

Winner of the Berlinale Golden Bear, Adina Pintilie's Touch Me Not is a unique fusion of fiction and reality, breaking down borders and opening up bodies on screen, Cinema Producer Tara Judah writes.

“ Something wicked this way comes! Reclaiming the witch on screen ”

Posted on Thu 4 Oct 2018 by Thea Berry

Once banished to woods, caves and deserted islands, witches have made a comeback to mainstream popular culture. Thea Berry, UWE's MA Curating student based at Watershed this year, has curated a wicked season of films exploring and reclaiming the role of the witch in film.

“ Film Culture in the era of Netflix ”

Posted on Wed 26 Sept 2018 by Mark Cosgrove

Mark Cosgrove, Watershed’s Cinema Curator, reflects on the changing nature of film exhibition and the value of cinema.

“ Conversations About Cinema: A new series of in-cinema discussions ”

Posted on Wed 12 Sept 2018

Starting in October with Utøya, UWE and Watershed are partnering on a series of screenings and discussions that brings together a multi-disciplinary team of philosophers, political theorists, and cinema curators and producers to unpick some of the most exciting and challenging ideas in contemporary cinema, Senior Lecturer in Philosophy at UWE, Francesco Tava writes.

“ Matangi, Maya or M.I.A. - just who is this problematic pop star? ”

Posted on Wed 12 Sept 2018 by Tara Judah

Everyone wants to know who's behind star persona M.I.A., and if there's more than meets the eye to the outspoken Sri Lankan born, London raised refugee bringing politics to pop music. Candid, confident and clever, Matangi "Maya" Arulpragasam speaks, sings and raps from the heart, Cinema Producer Tara Judah writes.

“ Of shimmering twilight on the horizon: where fiction and reality meet in The Rider ”

Posted on Fri 7 Sept 2018 by Tara Judah

Horse trainer Brady Jandreau gives the performance of a lifetime, against the blinding twilight of a South Dakotan horizon, where fiction and reality meet in The Rider, Cinema Producer Tara Judah writes.

“ "That's the Thing About Memory": Unreliable Narrators in Bart Layton's American Animals ”

Posted on Wed 5 Sept 2018 by Tara Judah

Talking to writer-director Bart Layton about his hybrid beast of a movie, American Animals, offered fascinating insight into his thrilling heist hybrid, told by a pack of unreliable narrators, Cinema Producer Tara Judah writes.

“ What's fair in love and Cold War? ”

Posted on Tue 28 Aug 2018 by Tara Judah

Where love and war are concerned, it's all just shades of grey. Paweł Pawlikowski's Cold War romance hits the big screen with striking polemic and a full palette of black and white, Cinema Producer Tara Judah writes.

“ The Riddles of Film History in 360 degrees ”

Posted on Mon 20 Aug 2018 by Tara Judah

Laura Mulvey and Peter Wollen's Riddles of the Sphinx showed us a 360 degree alternative view to the so-called 'male gaze' of mainstream cinema. Revealing a riddle of hetero-patriarchal film history, our Summer of rediscovery with restorations from amazing women filmmakers paves the way for an Autumnal change, Cinema Producer Tara Judah writes.

“ Spike Lee and the Klansman ”

Posted on Sun 5 Aug 2018 by Edson Burton

Spike Lee is a political artist, and one with a particular comic sensibility. Artists may not be able to resolve social issues, but Lee's satire is responsible, Come the Revolution's Edson Burton writes.

August 2018 Cinema Podcast

Posted on Thu 2 Aug 2018

August brings an embarrassment of cinematic riches gathered together under the broad headline of seriously playful, or indeed playfully serious, filmmaking.

“ Enter the Dragon: Celebrating Bruce Lee ”

Posted on Mon 25 June 2018

Forty-five years since the death of Bruce Lee, author of the forthcoming book Born to be Bad: Talking to the greatest villains in action cinema, Timon Singh, reflects on the life and legacy of one of cinema and martial arts' greatest warriors.

“ André Bazin: Reflections from the video shop ”

Posted on Sun 17 June 2018

We asked David Taylor and Daisy Steinhardt from 20th Century Flicks video shop to share short reflections on the words of cinephile and activist André Bazin, ahead of their illustrated talk during Cinema Rediscovered.

“ Why is a fish a car? Learning to love Zama ”

Posted on Tue 29 May 2018 by Tara Judah

"Beautifully short but bizarre..." Our comments board gets Cinema Producer Tara Judah thinking about the beguiling beauty of new release Zama and how it led to loving the work of Lucrecia Martel.

“ Whose responsibility? On Coralie Fargeat's Revenge ”

Posted on Thu 17 May 2018 by Tara Judah

Tara Judah, Watershed Cinema Producer, reflects on a Q&A she hosted with film academic and author, Dr Tanya Horeck, after a screening of Coralie Fargeat’s debut feature film Revenge, on Sat 12 May. The pair and the audience discussed the interplay of morality and ethics in visual representations of violence and lots more.

Colin Farrell and Kirsten Dunst in The Beguiled

“ On Sofia Coppola's The Beguiled and its whitewashing controversy ”

Posted on Wed 19 July 2017 by Mark Cosgrove

A reflection on Sofia Coppola's film The Beguiled in the wake of its whitewashing controversy. Mark asks – after the arguments raised – is it appropriate to rethink my initial reaction to the film?