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 Rediscovering form as content: Experiments in Aesthetics 

Posted on Thu 28 July 2016 by Tara Judah

Rediscovering cinema is not only about unearthing filmic gems from the past, it’s also about advances in the conversation about and practices of cinema now.

 Telling The Story of Film 

Posted on Mon 25 July 2016 by Dr Peter Walsh

Outside of the hour and a half to two hours you spend in front of a film, the context within which you meet the film, and the opportunity you have to process it afterwards can make...

 Slocombe's Adventures in the South West: The Titfield Thunderbolt 

Posted on Fri 22 July 2016 by James Harrison

In the spring of 1952 a car was making its way through the lanes of the Somerset countryside. Seated in the car were film director Charles Crichton and cinematographer Douglas...

 Rediscovered Silent Colour 

Posted on Fri 22 July 2016 by Dr Peter Walsh

Still image courtesy of Il Cinema Ritrovato. Silent cinema was full of colour.It’s important to state this clearly, as decades of poor TV broadcasts, ropey home video releases,...

 The Personal is Political: Women in Archives 

Posted on Wed 20 July 2016 by Tara Judah

At the intersection of personal memory and political and social change there are hosts of women's archives.

 The Art of Cinema-Going 

Posted on Mon 11 July 2016 by Tara Judah

Cinema-going still exists and in it is a craftsmanship all its own; an experience that is both immersive and cognitive, one that presents and presumes a combination of surrendering and activism in viewing.

 Stanley Kubrick: Journey to the Heart of England 

Posted on Fri 8 July 2016 by Bill Lawrence

The world of the Bronx, New York in the 1930s is probably as far as you can get from English aristocracy of the 18th Century, but this is the journey that saw Stanley Kubrick from...

 Risky Reflections: Slocombe's cinematography in The Servant 

Posted on Thu 7 July 2016 by Amy Sargeant

Dr. Amy Sargeant reflects on The Servant

 Tarkovsky's Lasting Gift: Sculpting Time 

Posted on Tue 5 July 2016 by James King

The Zone is a place of unblemished value. It is one of the few territories left–possibly the only one–where the rights to Top Gear have not been sold: a place of refuge and...

 Up Close and Personal: Anthony Harvey and The Lion in Winter 

Posted on Mon 4 July 2016 by James Harrison

The Lion in Winter (1968) can be found on a long list of historical, period films that were made in the 1960s. El Cid (1961), Tom Jones (1963), Cleopatra (1963), Becket (1964), The...

 Celebrating Cinema: The Greatest Place on Earth 

Posted on Thu 30 June 2016 by Mark Fuller

A young married couple inherit a surprise legacy from an unknown distant relative. But with the cinema they receive come challenges, and responsibility...At the time, this must...

 The Talented Robert Hamer: A Forgotten Figure of British Cinema 

Posted on Wed 29 June 2016 by James Harrison

David Lean, Michael Powell, Alfred Hitchcock and Humphrey Jennings; four key names in the history of British Cinema. One drowned his mind in his epic surroundings, one turned...

 The Colours of Oz 

Posted on Mon 27 June 2016 by Rosie Taylor

With a brilliant cast of exciting characters, a wonderful story, iconic costumes, sets and spectacular colours, The Wizard of Oz (1939) has become one of the most popular and...

 Beneath The Dust in Afghanistan: interview with Pietra Brettkelly 

Posted on Fri 24 June 2016 by Rosie Taylor

As Afghanistan teeters on an unpredictable future, A Flickering Truth unwraps the world of three dreamers, the dust of a hundred years of war and the restoration of 8000 hours...

 A Film For All Time: A Man For All Seasons 

Posted on Tue 21 June 2016 by Ian Christie

Garlanded with awards, and built around one of the greatest of Paul Scofield's relatively few screen performances, you might assume that A Man for All Seasons was a considered a...

 Room at the Top: Angry Young Men in the British New Wave 

Posted on Thu 16 June 2016 by Tara Judah

Adapted from John Braine’s novel of the same name, Room at the Top is the story of one man’s disillusionment with class and society in post-war Britain.

 Cinema by Candlelight: Stanley Kubrick's Barry Lyndon 

Posted on Tue 14 June 2016 by Rosie Taylor

Stanley Kubrick is famed for Dr. Strangelove or: How I Learnt to Stop Worrying and Love the Bomb (1964), 2001: A Space Odyssey (1968), and A Clockwork Orange (1971). Rarely is his...

 Unusual Choices in Nagisa Ôshima's Merry Christmas Mr Lawrence 

Posted on Sat 11 June 2016 by Rosie Taylor

A Japanese film starring David Bowie as a prisoner of war might at first sound like an odd idea, but the lesser known Merry Christmas Mr Lawrence (1983) was, and still is,...

 Cinema Rediscovered - Great Films Back on Big Screens 

Posted on Thu 9 June 2016

Cinema Rediscovered is here! Here's an overview of the inaugural festival to see what's in store this year...

 Celebrating the Cinematography of Douglas Slocombe 

Posted on Thu 9 June 2016 by James Harrison

To say that cinematographer Douglas Slocombe (1913 -2016) had a varied film career would be a huge understatement. Even from early on in his career Slocombe’s adventures behind...