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Previous events in this programme

We Need to Talk About Kevin 

part of The Scores of Jonny Greenwood and Thom Yorke

We Need to Talk About Kevin

Jonny Greenwood mixed blues and pop numbers with his muted score for Lynne Ramsay’s exquisite adaptation of Lionel Shriver's bestselling novel about a mother left shattered in the wake of her teenage son’s tragic act of rebellion.

Sun 3 March

OK Composer – Radiohead Inspired AV Show by DJ Cheeba

part of Sound and Vision: VJ/DJ live performances

OK Composer – Radiohead AV Show by DJ Cheeba

Café & Bar, Watershed

Inspired by Radiohead’s Jonny Greenwood and Thom Yorke’s celebrated excursion into the field of film scoring, join us in Watershed’s Café & Bar for a free, one-time only, show by one of Bristol’s pioneering AV performers DJ Cheeba, as he digs through Radiohead’s extended musical back catalogue accompanied by breathtaking synchronised visuals.

Wed 6 March

Online booking no longer available for OK Composer – Radiohead Inspired AV Show by DJ Cheeba at 21:00, Wed 6 March (ends 22:00)

On Sun 21 April, orchestral duo Neil Leiter and Margaret Hermant, aka Echo Collective, will be recreating Radiohead's iconic album Amnesiac in the Colston Hall Foyer.

Inherent Vice 

part of The Scores of Jonny Greenwood and Thom Yorke

Inherent Vice

Following their collaborations on There Will Be Blood and The Master, Jonny Greenwood penned a lighter-hearted, more free-wheeling soundtrack for Paul Thomas Anderson’s wild adaptation of Thomas Pynchon’s cult novel - a groovy, funny mystery set in 1970 drug-fuelled Los Angeles, during the dying days of free love.

Sun 10 March

The Wife + introduction with composer Jocelyn Pook 

The Wife + introduction with composer Jocylyn Pook

Glenn Close gives a truly masterful performance as a woman who has spent forty years sacrificing her own talent, dreams and ambitions to support those of her husband - until long-kept secrets are threatened to be exposed...

Sat 16 March

With an introduction from the film's composer Jocelyn Pook.

The Jocelyn Pook Ensemble will be performing Music For Film and Voices at St George's Bristol following the screening on Sat 16 March at 19:30 as part of Filmic19.

You Were Never Really Here 

part of The Scores of Jonny Greenwood and Thom Yorke

You Were Never Really Here

Diverse and dissonant, Jonny Greenwood’s beat heavy score evokes an eerie, bruised mood in this brilliantly executed minimalist noir starring Joaquin Phoenix as a gun-for-hire who specialises in saving victims from child sex rings, from director Lynne Ramsay.

Sun 17 March

Suspiria  (Partially Subtitled)

part of The Scores of Jonny Greenwood and Thom Yorke

Suspiria

Thom Yorke delivers a brilliantly eerie, nape-prickling soundtrack for Luca Guadagnino's (Call Me By Your Name) 'cover version’ of Dario Argento's 1977 horror classic in this delicious, dark - and feminist - reimagining.

Sun 24 March

Phantom Thread 

part of The Scores of Jonny Greenwood and Thom Yorke

Phantom Thread

Jonny Greenwood’s insinuating and impressive soundtrack brought a much deserved Oscar® nomination for Best Original Score for Paul Thomas Anderson’s perverse psychological fable of unchecked ego and unhinged desire, featuring an impeccable performance from Daniel Day-Lewis.

Sun 31 March

Family Plot 

part of John Williams Scores

Family Plot

John Williams’ landmark score for this diabolically funny suspense-comedy holds an important place in film score history, arriving just after he’d completed his iconic score for Jaws, it’s also the soundtrack to the last film ever made by the great Alfred Hitchcock.

Sun 7 April

Remixing the Minimalists – AV Show by DJ Cheeba

part of Sound and Vision: VJ/DJ live performances

Remixing the Minimalists – AV Show by DJ Cheeba

St George's, Bristol

Following Academy-nominated composer Haushcka’s special filmic performance on Thu 11 April, join DJ Cheeba for a free after-show in St George’s Bristol's sublime new Glass studio and Bar for a live audio visual installation on the theme of minimalism.

Thu 11 April

Online booking no longer available for Remixing the Minimalists – AV Show by DJ Cheeba at 22:00, Thu 11 April (ends 23:30)

Tones, Drones and Arpeggios 

Tones, Drones and Arpeggios

The key attributes of minimalism, its reliance on repetition, its mesmerising transcendent qualities and innovative use of technology are explored in this two part BBC documentary, as musician Charles Hazlewood seeks out four great American minimalist composers who rebooted classical music in the 20th century.

Sat 13 April

The screening will include an introduction by composer Charles Hazlewood.

Terry Riley will be performing at St George's Bristol on Sat 13 April followed by an after show by Bristol’s cult instrumentalists Eyebrow.

Hauschka will be performing at St Georges Bristol on Thu 11 April followed by an AV after show by DJ Cheeba in which he'll be Remixing the Minimalists.

The Long Goodbye 

part of John Williams Scores

The Long Goodbye

One of the finest films from the 1970s, Robert Altman's masterly take on Raymond Chandler's iconic final novel features Elliot Gould in laid-back form as private eye Philip Marlowe and an unusual request from its director to composer John Williams for its jazz laden score.

Sun 14 April

Kraftwerk: Klassics, Kovers & Kurios AV Show by DJ Food

part of Sound and Vision: VJ/DJ live performances

Kraftwerk: Classics, Kovers & Kurios by DJ Food

The Cube (about 20 min walk from Watershed)

The latest show by DJ Food (Ninja Tune) mashes together the sounds and visual history of iconic electronic outfit Kraftwerk for a thrilling Filmic performance at The Cube Microplex, in this full on audio visual extravaganza.

Sat 20 April

How to Steal a Million 

part of John Williams Scores

How to Steal a Million

Audrey Hepburn and Peter O’Toole star in William Wyler’s alternately adventurous and romantic comedy heist caper - a tone that's perfectly captured by John Williams' catchy and rapid-fire score.

Sun 21 April

The Killers 

part of John Williams Scores

The Killers

Two professional hit men try to find out who hired them and why in Don Seigel’s star-studded, sun-drenched 60s crime thriller, that’s enriched by a John Williams score full of gritty, moody jazz and moments of dark and aggressive orchestral mayhem.

Sun 28 April